Saturday, August 21, 2010

Electric Guitar Tutorial

(A) of the electric guitar strings from

so-called string distance is the distance between the strings from the piano products, which affect the electric guitar feel important factors. If the string away from too much playing time left in the

would be very difficult, this feeling will greatly affect the technical level of play, the guitar is absolutely not an option debug things We must very seriously

, electric guitar strings from the general impact of the main components are: neck, piano, pillows, tremolo device.

1. Neck

neck is an important component composed of one electric guitar, its level will affect the straightness of the bit string from the high. In debugging, we should first check the straightness of the neck, I

we can horizontally lift electric guitar, electric guitar from the piano the first part of the body part to observe, to determine the level of direct neck degree. If the bending neck up

, we can adjust the neck tendons, can be tightened clockwise change this bend, bend down if we can neck

adjustment bar, along the counterclockwise rotation pine can change this bend. If the light of experience in a very straight neck condition, often appear to fight the phenomenon of products,Electric guitar pack,

Therefore, the best neck bent forward a little, but absolutely can not bend too much.

2. Chin Chin Pillow Pillow

affect the electric guitar strings from low to place the main factors, the standard state of the electric guitar, an empty string the first product of the distance from 0.5 to 0.8 mm, in order to make electric guitar
< br> He achieved this standard, we can change the height of piano pillow. General electric guitar piano pillow three forms: traditional, FLOYD ROSE style, LSR Roller

Nut type.

Chin Pillow is a traditional form of plastic form, and we just put piano chord groove saw deep pillow of some, we can achieve this standard.

FLOYD ROSE-style piano pillow is formed by the metal, it features not only the role of pillows from the piano, or string electric guitar locking device. To change this piano pillow high

degree, we must remove the pillow to piano, piano pillow underneath gasket if we can reduce the pads to reduce the height of piano pillow. If there is no gasket, we must

neck on the pillow of the Mu Cao Qin file to install a number of deep, in order to reduce the height of pillow Chin, Mu Cao in the file, be sure to file bit by bit, and From time to time with the piano

pillow test to check the piano pillow height, file out to ensure the level of Mu Cao.

LSR Roller Nut-style piano pillow is a Fender-7500 models use more than a new piano pillow, which constitute the main body is made of metal, connected with strings

contact is constituted by two steel ball, it will ensure that the strings and piano pillow positions of accuracy, it is the form of clear and dark trough trough two. Reduce the square piano pillow

Law and FLOYD ROSE-based adjustment method is basically the same piano pillow.

3. Tremolo device

electric guitar tremolo device is to affect the high-to-bit string from the main factor, high-to-bit string from a height of 12 items basis, and its height should be within 2 to 2.5 mm. Transfer

whole two ways, first is the traditional method of vibrato adjustment device, the second is FLOYD ROSE tremolo device adjustment method.

1. Adjustment of the traditional tremolo device Control

traditional tremolo strings from high to place the device, set the string holder, it is constituted by two screws. By adjusting the height of the two screws to change the strings can be

chord distance, to meet the performance requirements when the handle.

2. FLOYD ROSE-type tremolo device adjustment method

vibrato device that can be adjusted independently from each string of the string, only by changing the tremolo device to adjust the string height from the end, the tremolo device of two Side two

a high degree of control screw tremolo device by adjusting the height of the two screws can achieve the purpose of changing the chord distance. In some traditional tremolo device also has two screws

a control, we can change the strings through its overall height.

(b) adjustment

pickup electric guitar pickups are the main vocal part, it will affect the distance from the strings of power pickup, it is also the electric guitar pickup adjustments to the process of debugging

, a very important one. Pickup is fixed by screws and the spring retaining plate in the electric guitar or piano body, by adjusting the pickup screws on both sides can

change the pickup height, generally up and down two sets of pickups, strings without affecting the Under normal playing conditions, the distance from the strings as small as possible, this can increase the

pickup pickup power. A group of middle pickup is too high, will affect the allocation of films playing, so the adjustment in the pickup, the general put it up too low, it

like to use to dial in the film playing, the pickup will not obstruct sports picks.

(c) the adjustment of electric guitar chord electric guitar

chord determines its pitch, a standard electric guitar string of length 648 mm, if the chord problem, we can not ensure that the guitar tune. Adjust the string length must be mixing

cooperation of the table can be carried out, we overtone and 12 goods to determine the difference between real tone chord accuracy. If the harmonics than the actual pitch,

on the show beyond the standard chord length, the need to string the first direction fixation device to shorten the piano a distance, if the harmonics lower than the actual sound, it indicates that no chord

have reached the standard of length, the need to increase the strings below the fixation device to a certain distance, adjust the string length must be repeated again check the adjustment, can enter the standard chord

state . Electric guitar strings to be long into the standard state, we will find the location of the strings fixation very different, this phenomenon is the main

is the amount of pressure caused by string, when we play overtone , the amount of string tension is not changed, but we played real sound, the strings from the level of state

had some bending down, this degree of bending will increase tension strings , in order to reduce the degree of tension caused by the strings, the pitch changes, the actual chord would

grow up than the standard number of strings, increasing the length of the strings of different thickness according to the degree produce different change, the more crude to increase the length of the string the greater the general

1 to 3 mm are all within the normal phenomenon.

(d) of the tremolo device to adjust the intensity of the general

device with FLOYD ROSE tremolo electric guitar, making tuning time would be very troublesome,Electric Guitar Lessons, when we adjust the strings again , will find that is tuned strings allowed the phenomenon appeared, the main reason for this phenomenon in the FLOYD ROSE tremolo device on.

this article has 2475 words, divided into 2 pages, Current 1 Page, quickly flip: 12

1. sound good or bad choice

basically means the meat is or the touching nail.

refers to the touching tone of meat thick slick but relatively obscure, the touching nail is sharp but relatively thin fine Chu discernible. Most people like David Russell is the kind of thick voice, then the touching in the choice of when to refer to meat-based nail should be supplemented, in the past when the first string that the meat had a few nails.

2. timbre of the thick level of points is \When the touching finger string where the first encounter) is a finger of the left or right or middle finger of meat, each string into the sound are different. The touching point fingers, the more parallel to the string sound thicker, more vertical chord sound thinner.

Actually, the most fundamental is the finger into the string to the cosine of the flesh through that area, touch the string in the process of sound through the larger area of the thicker, so the touching point and the touching point of view of sound The reason is precisely this.

second point: the speed and strength:

pressure nowadays the touching depth of string, which is under the finger will be pressed into the strings to the ramp. string shock to see the track when the front view draw The cross-sectional area larger, thicker sound, so the most suitable string vibration is not about playing a round rock.

other wrist angle (the angle between the hand and arm), the greater the angle of the sound thicker, the angle is large (eg 180 degrees), make a hook in the string finger movements, the finger movements on the natural can use a more top-down onto the string like the action, while the angle-hour (for example 90 degrees), the natural movement fingertips but can only do bottom-up pull-string action.

So, too fast string, the natural area is relatively small, the sound naturally become thinner, the contrary also applies. Increase the strength of strings to be pressed into the deep, relatively large volume of natural, natural sound is thick, the contrary also applies.

third point: nails:

nails of course will affect the sound, but basically unless you have very thick nails, or just the touching only program in the past time and the opportunity to complete the passive role mainly from the thick sound that meat. Manicure only removed when the class angle, not cards that you can touch and smooth strings.

of the impact of sound caused by the nails, the principle is the size of the area through the nail; in the string point of the nail if the marble to form a chord across the strings when the acute angle, the sound will be sharp, forming obtuse angle, the sound will be muddy. Nail shape marble allows string through more or less nails, also voiced sharp voice. Good choice is the voice of marble suitable brightness, but were sharp or turbidity.

3.

relax the right hand playing the guitar a lot of people only pay attention to the left to relax, forget the right place is also a need to relax. Relaxation of the main issues: finger (or palm) tension too tight, do not relax your fingers after bomb string. In general, the fingers of his right hand after the granting of complete string to return to the original location, not intentionally, but the finished output, fingers will naturally go back to the original location of the place.

can make a test: holding up a natural ease, and can point any fingers bending force to the palm, and then let go immediately after the output strength will see the fingers will naturally go back to the original location (or very similar), it plucked likewise.

If you want to get good sound, relatively large volume, bound to the plucked string, when pressed into the strings down, or using only strings, these actions likely to produce rigid fingers, but also Note to relax after the touching, to slow the completion of exercises to ease natural.

4. the right hand is not prepared to mute the guitar like a piano pedal device, so when some chord change, as the piano can not use the pedal to prevent the infiltration of the previous chord of the next chord tone (if the sound were The purpose of the time allowed). Then the right hand fingers can be used to act as a silencer role.

action sequence is:

(1) fingers on the chord change before the string you want to mute. Depending on the circumstances, one or more.

(2) left hand left the strings, to the next target.

(3) right hand finger pressure string and plucked at the same time. If there is no need to mute the finger plucked, plucked at the same time can still be placed in the string.

points: the guitar is a very strong resonance instrument, we bring up a chord, in silencing the same time, there will be harmony guitar overtone residues, as well as human voice suddenly interrupted temporarily when the hearing will have to stay, so When the right hand silencer ready when the action fairly quickly, it can be used to prevent the interruption of voice and sound. Of course, whether in the guitar or piano, because the time difference between the two sounds before and after the jump can not be completely connected, but the good players can still make instruments sing.

6.

musical elements of melody is not simply phrases to be here to be loud, there should be a low voice, the melody should also be noted that the conduct, whether whispered loudly, within its scope , the melody still ups and downs. Disregarding the issue of tone aside, the melody is basically a fluid state, the intensity can be expressed, for example: will the strength of descending into the article out of a total of 2475 words, divided into 2 pages, Current page 2, rapid translation Page: 12

1 to 10, we can bomb into 4-5-6-7-8-9-10-9-8-7-6-5-4 a scale, that is, from weak to strength from strong to weak. And so on, using coordinates to describe, as we draw out a variety of curves, X axis is time, Y axis is the intensity, we can play that way the melody. Similarly, the sound according to thickness likewise.

of course, the performance of music is a feeling, but no fingers are not trained voice will be automatically converted into the minds of the touching hand. The touching music needs very delicate, be careful attention to the touching fingers to feel, use it to control the whole melody. To mind to think the same and the actual bomb is not easy in practice to follow the slow speed when the principle of mind into account quite in advance, and then carefully listen carefully Ganjue pop the finger, and imagine each sound as Shipi.

7. right across the so-called cross-string

string, For example, the third string with the bomb i mean, then the second string with m fingering, and finally the first string with the bomb i mean, The final step will be found to have cross-strings in one.

in accordance with normal physiology, cross-string may have the following several ways:

1. the wrist to the left panel pulled the direction of the fingers will naturally done, the shells can be natural to other strings.

2. directly change the angle of the wrist, by the parallel vertical string to string, you can bomb a natural location to the other strings. The touching point fingers with the wrist angle also varies.

3. the touching point of the same finger, wrist angle changes to the arm * In the guitar fulcrum point for the use of high or lower arm position changes, can be natural shells to other strings . 4. The touching point of the same finger, wrist angle constant, to change the arm * pivot position on the guitar, sliding back and forth, can be natural shells to other strings.

5. do not care arm, wrist, finger directly to the bomb to shorten the elastic elongation of the string.

just to name a general common in this situation, according to the different personal habits also vary.

8.

right hand position as the guitar is the instrument with both hands, so the left hand is an important orientation point, if the touching the right hand of instability, the left hand is also easy to lose sense of direction. Practice or play can be fitted with eye-finger, imagine chord location, the pop sound is about to be ejected before the fingers close as possible * string. Also the touching fingers, they often will have a reaction, so that the wrist arm vibration, it is a natural phenomenon of relaxation, but do not let too much vibration manifested into a shake.

9. round that

beat spectra recorded in a unit for the pami all the time, but actually playing, this method will cause ami no coherent melody. May be a good way, ipa various half units, ami various one unit of time, is designed to allow amipami ia the melody in the link up. a means of referring to the first round of the notes to be heard, to adjust the location of a means to get the best sound volume. Play wheel means, avoid unnecessary wrist shaking fingers.

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